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Sarah works in rural Oxfordshire creating handmade contemporary jewellery in silver and gold, often incorporating kinetic elements to create rippling or undulating surfaces.
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Edinburgh. Resin with extensive use of magnets as fittings. Worked with Manu (2000) then Adam Paxon & Wendy Sarah Pacey. Outlets & exhibitions include Scottish Gallery, Edinburgh; Mobilia Gallery, Boston, USA, Shipley Art Gallery, Gateshead & Galerie Marzee, Nijmegen.
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Whitstable. Works mainly in silver with gold detail. Outlets include Bluecoat Display Centre, Liverpool, Mike Gell Gallery , Hereford, Gill Wing, london, Samson and Coles, Whitstable.
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My work is made using traditional techniques and hand tools; piercing, hammering and forging high-carat gold and silver, embellished with old-cut gemstones, cabachons and pearls. Each piece is hand worked using very fine emery papers resulting in a lustrous matt finish, sometimes with burnished edges.
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Fife, Scotland. Precious metals. Represented UK at Inhorgenta, Germany. Outlets include The Scottish Gallery; JAM, Eton; Kath Libbert, Saltaire; Designs, Castle Douglas; Dundee Contemporary Arts.
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Edinburgh trained, now London. Floral themes in precious metals. Also uses gemstones, pearls and plastics. outlets include Diana Porter, Bristol, Peter Potter Gallery, Edinburgh, Panick Gallery, Killearn.
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Sophie produces limited edition collections and one off pieces in silver and gold, with an emphasis on handmade quality and unique design. Following a year's postgraduate residency at the prestigious Bishopsland jewellery & silversmithing workshops near Reading, she is now based in vibrant Hackney Wick in London. Sophie was a participant of the of the Crafts Council's 'Hothouse 3' mentoring scheme for new makers and also recently became a QEST scholar.
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Straussberg combines soft curves with strong lines creating mature and elegant designs.
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Kirsty Sumerling is an Edinburgh based jeweller, working with enamel, precious metal, pottery pieces and found objects. She emulates the worn, weathered condition of dilapidated buildings and structures, favouring a muted colour palette.
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