JANE ADAM

Jane Adam is one of Britain's leading studio jewellers. Graduated from the Royal College of Art in 1985, she has taken part in hundreds of group and solo exhibitions in Britain and abroad. In many major public and private collections, including those of the Crafts Council, London; Victoria & Albert Museum, London; Birmingham Museum & Art Gallery; Cooper Hewitt Museum of Design, New York, USA; and Carnegie Museum of Art, Pittsburgh, USA.

About Jane

Her jewellery is made in aluminium and, increasingly, in precious metals, semi-precious stones and pearls. It is made by hand, mostly by Jane herself, in her studio in central London. Her work is the result of twenty five years of ongoing innovation and experimentation with a modern industrial material: dyed anodised aluminium. With this everyday material, she creates something new and unexpected, pieces where soft marks in subtle colours exist on a shimmery, iridescent surface. She has created a repertoire of new processes of dyeing, mark-making, texturing and colouration which have inspired many other jewellers, though her work stands alone for its quality and originality. She is now also moving into new work in precious metals (fine silver and high carat gold) and stones, applying her own techniques of texturing and forming. She delights in the difference these pieces have from her aluminium work: their weight and substance, the inherent beauty and richness of a metal such as fine silver or 22 carat gold, and the colours, forms, and textures of semi-precious stones and pearls. Her approach is always to work with her materials to find out what they will do, and to push them to find new qualities within them. She then sets out conditions in which they will behave in a certain way, and so explores and exploits their particular properties, rather imposing her own preconceptions upon them. This approach gives her work an organic quality, which relates to natural forms and to the way they change and grow. Jane Adam creates pieces that extend traditional jewellery values: those of beauty, femininity and preciousness. Her work explores female sensuality, both in the nature of the forms themselves and in the way they feel when worn. Therefore, her most profound relationship as a maker of jewellery is with the wearers of her work. They enjoy the way her work creates empathy with them and enhances them, to say something about who they are. By thus becoming part of the wearer's experience and expression of her self, Jane Adam's jewellery is transformed and completed.

Further Images

Two mobiles:

Two mobiles:

dyed, anodised aluminium and stainless steel.2002 Photo Richard Stroud

two necklaces

two necklaces

Neckpieces with two or four leaves Anodised, dyed and crazed aluminium with stainless steel wires and freshwater pearls or semi-precious stones on nylon coated steel neck cable Length of drops: 100 - 120mm Size of cable: 300 or 400mm Photo: Joël Degen


folded spiral bangles 2008

folded spiral bangles 2008

Banlges in anodised, dyed and crazed aluminium Widths: 30, 40, 50 or 60mm Photo: Joël Degen

Silver pod brooches 2006

Silver pod brooches 2006

Brooches in fine silver, sterling silver, 18 carat gold, oxidisation, loose undyed freshwater pearls. Photo: Joël Degen

textured silver bangles 2008

textured silver bangles 2008

Oval bangles in fine silver. Size (left): 50 x 40 x 50mm Photo: Joël Degen


Blue pendant 2006

Blue pendant 2006

Pendant of anodised, dyed and crazed aluminium with silver and 9 carat gold on silver cable Length of pendant: 11cm. Photo: Joël Degen

scribed necklace

scribed necklace

Necklace of scribed oxidised silver and gold with aquamarines Length: 500mm 2008 Photo: Joël Degen

double sided leaf necklaces

double sided leaf necklaces

Anodised, dyed and crazed aluminium with oxidised silver catch and jump rings Lengths: 400mm to 650mm DN3 - DN6 Photo: ( Joël Degen


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